Writer and Amazing Storyteller, Georgiana Simpson

http://www.amazon.com/Navajo-Ceremonial-Baskets-Sacred-Symbols/dp/1570671184/ref=sr_1_2?ie=UTF8&qid=1375746323&sr=8-2&keywords=Georgiana+Simpson

Navajo Ceremonial Baskets: Sacred Symbols, Sacred Space

This well-documented work, beautifully illustrated with over 100 full color photographs of baskets, weavers, and related objects, details the history, origins, and meanings of these creations.

Included are detailed color photographs of vintage and modern baskets, portraits of award-winning basket weavers and their work, a section honoring a new generation of Navajo weavers, tips about the etiquette and safekeeping of ceremonial baskets, in-depth interviews with Navajo medicine men, and colorful takes of Kicking Rock Man, Changing Woman, Monster Slayer, and their role in the origin of the baskets.

Don’t wait, get this book!  It has it all going on, and it’s also available on e-readers.

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The Navajo Sacred Basket and the Basket as Art

Native baskets are made by women, and a few men who lives as women

Baskets are the Province of Women… and a Few Men.

Basketry is generally a woman’s art that is also pursued by the nadle (he-to-she) or men skilled in the arts and lifestyle of both men and women. Basketry is not classified with textile fabrics (yistl’o), but with sewing (nalkhad).

Making baskets is a sacred act – many are used for ceremonial purposes.  Today, there are several amazing artists at Twin Rocks who have created an art form that is a fusion of tradition and cutting-edge contemporary art

Traditionally, while the basket is in progress, the sewer is untouched and avoided by the members of her family. The basket material, too, is placed beyond the immediate reach of the household.  The basketmaking is finished as quickly as possible.  Usually, the craft and art is passed down through women in the family, and learned at a young age.

In days past, if the basketmaking went on too long, sickness and rheumatic stiffness might affect both the wrists and the joints of the sewer.  This was remedied by a singer/medicine man who, in the course of a ceremony, clothed both arms of the patient with the skin of a fawn (bi’yazh).  Then, a hole was broken into the south side of the hogan through which the patient extended her hand and wrist. As soon as the wrist appeared on the outside, her younger sister took it between her teeth, pressing them lightly into the skin.  This removed the stiffness (nasdo’).

There are families of weavers we at Twin Rocks have been honored to work with in their passion to experiment with materials, colors and designs.  What they have created is mind-boggling.  We believe that creating a new art form is also a sacred act, and we applaud these men and women for their vision!